Hopefully the JUSFC grant results will hit LFS today. At the very latest, next week. I don’t want to think about what will happen if we don’t get it. I don’t have to have bad thoughts…satan get behind me. We started cutting Cloudy yesterday. I went through the first 20 or so tapes from the 3rd trip. It’s like time-tripping in fast-mo. If I let myself go, I can almost imagine myself back there at that time, in that place. Looking for the true stories of the Tokyo Cowboys on the post-modern urban frontier. Why post-modern? It’s a constructed city. It’s a mixture of everything the world has to offer. It’s like a collage…a mosaic. Look at it from above…from the 44th floor of the Shinjuku Municipal Building…it’s like a 3 dimensional puzzle.
Here’s the journey: I went to back to the post-modern urban frontier to find cowboys…to find if they had a monopoly on freedom as I had assumed. But all they wanted to do was cash out. And, this didn’t seem like a freedom train to me. It seemed like doing time. So, I kept looking, kept digging. Where were the free cowboys? What is freedom? It seemed like Tokyo was the place to have it. As Cloudy says, there are markets in Tokyo that are not available in any other place. I found the guy who could cash out, and what does he do? He buys an old farmhouse in Chiba and does it up. That place looked like heaven to me.
I’m preoccupied with trying to get back to London. We’ve got some good work done here, but we have to leave by the end of October. Before we can leave, we have to find a flat. So, I’ve been e-hunting. That takes time…time…time.
Cloudy had been through the whole “Big in Japan” thing. He’d been on the 100 Gaijin Show. He’d done the music video. But something happened. “A lot of people think they have a cash cow with me…until they realize that I’m not gonna do anything I don’t want to do.” So, Cloudy refused to conform. He’s now intent on making it “Big in Japan” one person at a time. He’s an edu-tainer. He’s a sort of diplomat…an unofficial one.
I guess that’s what we all were. The Japanese allowed us in in that capacity. In the beginning it was only diplomats and English teachers…whole generations of Japanese people…the only foreigner they had met was their English teacher. In a weird way, it sets people up…it sets gaijin up as sensei…as teacher. In Japan that’s a highly honorable profession. So, here’s Cloudy…he has a teaching certificate (unlike most of the English teachers in Japan). And everything is about communication…one person at a time. He’s trying to foster a greater level of understanding between gaijin and Japanese. The comedy is a more sophisticated form of communication. He’s constantly communicating. He doesn’t just sit down in the train. The hammock…Eric…the hair…those are just tools of the trade…the trade of communication. And the performance is a high as well.
Where does Cloudy come in to my quest for cowboys? What are cowboys for me? That’s the first thing. When I started shooting, it was about freedom. I thought money bought freedom, so I was shooting the Head Hunters. Maybe it does buy freedom. But, if you’ve got some money, you just spend it. You get a taste of the good life and you want more…so you work harder, and you make more money, and you’re working so hard that you think you deserve some comfort, so you spend some more and then you’re no closer to your goal. Something’s gotta give. That’s the Head Hunters, though.
Maybe freedom is a state of mind. It’s like Kanya said, it’s in your head…freedom and slavery are in your head.
