After taking 6 weeks off to earn a bit of cash, we are back to editing Tokyo Cowboys. Patrick re-cut the first 50 minutes to focus on Ken’s story as the backbone of the piece. His story has the strongest arc. As off shoots of his story, we will be making segues into the lives of the other cowboys.
We’ve been frustrated about our inability to create momentum with the cut. It seems that earning a living is interfering with the completion, but we continue. I guess this is the way it is.
